Explore the role of women in art and art history at the Cincinnati Art Museum through works from the museum’s permanent collection created from the seventeenth century to today. Art from across Europe, North America and Asia in a range of mediums will be featured together, including oil on canvas, metalwork, ceramic, prints, photography, and fashion. Prominent artists include Georgia O’Keeffe, Lorna Simpson, Kara Walker, Mary Cassatt, Julia Margaret Cameron, Elizabeth Catlett, and Chiyo Mitsuhisa. The exhibition will encourage visitors to think critically about gender, representation, and diversity and how that translates to the museum’s collecting practices and gallery installations.
Glitch brings together a group of international artists to explore the ways our understanding of the past, present and future is mediated through technology. The exhibit will span video art, digital paintings, photographs, multimedia installations, drawings, paintings and sculptures. Exhibited artists include VJ Um Amel (b. Alexandria, Egypt), Petra Cortright (b. Santa Barbara, United States), Shady El Noshokaty (b. Damietta, Egypt), Mounir Fatmi (b. Tangier, Morocco), Jonathon Hexner (b. Dhaka, Bangladesh), Pouran Jinchi (b. Mashhad, Iran), Basim Magdy (b. Assiut, Egypt), Haytham Nawar (b. Gharbiya, Egypt), Mona Omar (b. Cairo, Egypt), Kour Pour (b. Exeter, United Kingdom), Shahzia Sikander (b. Lahore, Pakistan) and Talisker (b. Paris, France).
The Annual Aleph Review Issue 4 was launched at the Lahore Literary Festival 2020, Featuring Shahzia Sikander's work Novice Thon from her 'Monks and Novices' Series (2006-2008) on the cover. This issue includes a dialogue with Shahzia Sikander and Sadia Abbas, The Scroll and the Empty Room.
After dark each night of the Festival, multiple sites along the Wellington waterfront will light up with an array of large-scale artworks.
Throughout history, public spaces have been the setting for both shared catharsis and collective imagination. Into the Open is a programme of moving-image artworks that will be projected along the waterfront throughout the Festival. Responding to the programmes curated by Lemi Ponifasio, Laurie Anderson and Bret McKenzie, this three-week series brings into the open artistic visions of what it means to be human, together.
Every Monday, the artworks will change to reflect the spirit of each Guest Curator’s vision, so come back each week to experience art in the open. Follow the pathway of artworks or linger with a moment painted large with light.
It is something new and a billion-dollar industry: fashion fashion. You may have never heard of it, you may already be wearing it. The Stedelijk Museum Schiedam is the first museum in the Netherlands to show this international fashion phenomenon with work by contemporary designers combined with contemporary art.
The creations of this vanguard are fashionable and covered. Women who do not want to participate in the 'aesthetics of being exposed' wear it, religious or not. Whereas the miniskirt was once seen as a feminist statement, now women want to be free and decide how to show themselves to the world: choose yourself! Modest fashion is therefore not about the question 'covered or not?', But about the freedom of choice and creativity of women around the world. The exhibition marks the 100-year anniversary of women's suffrage in the Netherlands and celebrates that 100 years ago the first woman came to the city council of Schiedam. Minister of Culture Ingrid van Engelshoven will perform the opening.
This presentation by Christiane Gruber explores a number of paintings of the Prophet Muhammad produced in Persian and Turkish lands from the fourteenth century to the modern-day. Ranging from veristic to abstract, these images represent Muhammad’s individual traits, primordial luminosity, and veiled essence. Their pictorial motifs reveal that artists engaged in abstract thought and turned to symbolic motifs in order to imagine Muhammad’s primordial origins and prophetic standing. In creating and gazing upon such images, artists and viewers also were inspired by various mystical beliefs and practices, including devotional invocation, in the process seeking to express their piety through both verbal and pictorial language. Within a variety of Islamic expressive cultures, paintings thus have functioned as a powerful means for devotional engagement with Muhammad, the “praiseworthy” Prophet and Messenger of Islam.
how the light gets in is an exhibition about the movement of people across the globe and the welcome cracks that develop in our notions of borders and nation states—“that’s how the light gets in,” Leonard Cohen sang in his 1992 song “Anthem”:
Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That’s how the light gets in
The exhibition brings together an international group of 58 artists and artist teams and collectives, ranging in age from their twenties to their nineties and representing 29 countries of birth and residence. Their work engages with themes of migration, immigration, displacement, and exile. Artworks including drawing, photography, painting, sculpture, and video will be installed in all of the Museum’s temporary exhibition galleries, contemporary collection gallery, lobbies, and on the facade and grounds.
Dr. John Seyller, Professor of Art History at the University of Vermont, leads a gallery talk on the dynamic intersection of the tradition of Indian miniature painting and the contemporary videos of Shahzia Sikander, featured artist in Transcendent.
Shahzia Sikander merges the South Asian tradition of miniature painting with contemporary forms and styles, creating visually compelling, resonant works. Her multi-scaled imagery crosses boundaries of geography, religion, and style. Sikander earned her BFA from the National College of Arts in Lahore in 1992 and her MFA from the Rhode Island School of Design in 1995. She has exhibited nationally and internationally at venues such as the Pakistan Embassy in Washington, D.C.; Whitney Museum of American Art, New York, NY; the San Diego Museum of Art, California; Museum of Modern Art, New York, NY; and Museum Ludwig in Cologne, Germany. Sikander has received many accolades including the Asia Society Award for Significant Contribution to Contemporary Art (2015); MacArthur Fellowship (2006); Inaugural Rockefeller Foundation Bellagio Center Creative Arts Fellowship, Italy (2009); Joan Mitchell Award (1998–99); Louis Comfort Tiffany Foundation Award (1997); and the Shakir Ali Award from the National College of Arts, Lahore, Pakistan (1992). Shahzia Sikander currently resides in New York, NY where she is represented by Sean Kelly Gallery.
Sikander’s pioneering practice takes classical Indo-Persian miniature painting as its point of departure and challenges the strict formal tropes of the genre by experimenting with scale and various forms of new media. Trained as a miniaturist at the National College of Arts (NCA), Lahore, Sikander has developed a unique, critically charged approach to this time-honoured medium. Informed by South Asian, American, Feminist and Muslim perspectives, Sikander employs the miniature’s continuous capacity for reinvention to interrogate ideas of language, trade, empire, and migration. At the NCA, Sikander’s thesis project, the Scroll, launched what has come to be called the neo-miniature, and she was the first woman to teach miniature painting. H er works encompass painting, drawing, animation, installation, video and film. Shahzia Sikander has previously shown at the Aga Khan Museum as part of “Nuit Blanche” (2017) and “Listening to Art, Seeing Music” (2018).
“Highlights 2012-2019” is the first retrospective of Fanoon Center For Printmedia Research’s growing collection of international and regional artists including Bryan Graf, Bryan Jabs, Chloe Lum and Yannick Desranleau, Diyan Achjadi, Fares Cachoux, Jenny Schmid, John D. Freyer, Katie Vida, Koichi Yamamoto, Las Hermanas Iglesias, Mary Laube, Michael Perrone, Ranjani Shettar, Sean Kuhnke, Shahzia Sikander, Shaurya Kumar, Sonya Clark, Susan Chrysler White and Trenton Doyle Hancock.
Transcendent presents a selection of artists who explore or evoke themes of spirituality through their work. Challenging the unspoken taboo of representing the divine or faith in contemporary art, Transcendent aims to connect art and creative practice with the meditative or the sacred. Drawing from diverse traditions, the works in this exhibition reflect on questions of human nature, cultural identity, and sanctity in everyday life. Through a variety of approaches these artists seek a greater purpose in their work and a way to connect with the world. Featuring nationally and internationally recognized artists, Transcendent includes works by Anila Quayyum Agha, Leonardo Benzant, Maïmouna Guerresi, Shahzia Sikander, Sandy Sokoloff, Shelley Warren, and Zarina.
BCA Exhibitions are funded in part by a grant from The Andy Warhol Foundation for the Visual Arts, National Endowment for the Arts, and Vermont Arts Council.
The Lahore Literary Festival (LLF), one of South Asia’s premier cultural events, returns to Asia Society New York for the third year. LLF in New York will explore contemporary Pakistan through artists, writers, and commentators. The festival will present American audiences with a more nuanced view of Pakistan and include discussions on fiction and nonfiction writing, art, architecture, history and politics.
Malala expresses to David Letterman the importance of fighting against the ideologies that counteract women's equality. Watch My Next Guest Needs No Introduction With David Letterman on Netflix: https://www.netflix.com/title/80209096
A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies).
Sikander, Rick Lowe and Julie Mehretu (RISD MFA ’97) will discuss the cultural landscape from the 1990’s to present day and their part in shaping it. The friends will develop a dialogue about artists supporting artists, collaborations, mentoring, and what lies ahead.
On Friday November 10 at 7 pm, join artist Shahzia Sikander in conversation with Sadia Abbas moderated by Richard Davis as the opening event of Lahore on my Mind, a public festival that moves between the past and the present to explore the early modern, colonial, and contemporary cultural worlds of South Asia.
Biennales held all across the World (amounting to a physical sum prestige of over 100 cities so far) play an important role in connecting forlorn landscapes with their shrouded history of arts and culture in order to help build a more inspired and creative society, giving people a sense of who they are and where they’ve come from. The Karachi Biennale 2017 (KB17), a project of the Karachi Biennale Trust (KBT) comprising of a group of diligent curators, art educators and professional enthusiasts, drew to a close on Sunday after two weeks of art exhibits used to bring together diverse communities of the metropolis.
The Karachi Biennale 2017 (KB17) is Pakistan’s largest international contemporary art event set to feature on a holistically large scale platform every two years in Karachi. Beginning this year on October 22, over 160 national and international artists from 34 countries around the globe responded to a common theme: WITNESS – seeking to engage the public by use of art as a lens to conceptualize the city and its concerns. Whether it was the performances at the Frere Hall, or visits to the 12 chosen venues turned into free and public art spaces across the city, the diverse audience of spectators was excited to be a part of a series of discursive sessions that helped them experience culture in an open, secure and engaging environment.
The Art of Independence: Visions of the Future in India and Pakistan A conference held at at the Ashmolean Museum on 12 October 2017 and the Courtauld Institute of Art on 13 October 2017, convened by Faisal Devji and Mallica Kumbera Landrus (University of Oxford) with Deborah Swallow and Zehra Jumabhoy (The Courtauld Institute of Art, London). The conference was co-organised by the Ashmolean Museum, the Courtauld Institute of Art—Sackler Research Forum, the Oxford Centre for Global History and the Asian Studies Centre of St Antony’s College, and co-funded by the Oxford India Centre for Sustainable Development of Somerville College, the John Fell Fund, the Radhakrishnan Fund, the University Engagement Programme (funded by the Andrew W. Mellon Foundation), and the Oxford Research Centre in the Humanities. Day 2, Futures Lost and Found: Citizenship and Contemporary Art (The Courtauld Institute of Art, London) Shahzia Sikander in conversation with Faisal Devji
Lucid Dreams and Distant Visions: South Asian Art in the Diaspora, organized by Asia Society Museum with the support of the Smithsonian Asian Pacific American Center, considers the work of nineteen contemporary artists from the South Asian diaspora who explore notions of home and issues relating to migration, gender, race, and memory across mediums and aesthetics. These artists represent a microcosm of the American experience and their respective practices across four decades have collectively made a significant impact on the development of contemporary art in the United States.
Featured artists: Jaishri Abichandani, Anila Quayyum Agha, Mequitta Ahuja, Rina Banerjee, Khalil Chishtee, Ruby Chishti, Allan deSouza, Chitra Ganesh, Mariam Ghani, Vandana Jain, Gautam Kansara, Annu Palakunnathu Matthew, Naeem Mohaiemen, Kanishka Raja, Tenzing Rigdol, Shahzia Sikander, Jaret Vadera, Palden Weinreb, and Zarina.
A three- day convening of established and mid career South Asian American artists, academics and curators. Fatal Love: Where Are We Now? examines contemporary art production by artists, academics and curators in the South Asian American diaspora. Although we have had a strong presence in the New York art world for the last two decades, we have yet to engage in a nationwide dialogue. A lack of institutional support and scarcity of full time contemporary art South Asian curators employed in any local museums have prevented generations of artists from forming networks that go beyond the local to a national scale.
Shahzia Sikander, the Pakistani-American artist whose works delves into drawing, painting, animation, installation, performance, and video, has signed on to show with Sean Kelly Gallery in New York. She will figure prominently in the gallery’s booth at the Armory Show next week, with longer-range plans including a solo exhibition at the Chelsea gallery, to be presented in late 2017 or early 2018.
Thursday, February 4, 2016
Shahzia Sikander will participate in a panel discussion on women in printmaking at the New York Public Library's Schwarzman Building on February 4, 2016, 6pm. The event will begin with cocktails and include a tour of the library's current exhibition, chronicling women in printmaking from 1570 to 1900.
The panel will be moderated by Anne Higonnet, Ann Whitney Olin Professor in the Department of Art History and Archaeology at Barnard. The discussion will also include Pace Prints collaborator April Gornik and Dana Schutz.
Sikander is currently working on her first print edition with Pace Prints, to be published this spring.
Asia Society Art Gala is the signature event during the week of Art Basel in Hong Kong. Major art collectors from the region, artists, gallerists, dignitaries from the art world, and Asia Society Trustees and patrons will gather to honor artists Shahzia Sikander, Do Ho Suh, Wucius Wong, and Xu Bing for their significant contributions to contemporary art.
All proceeds from the Asia Society Art Gala will support Asia Society initiatives worldwide. Asia Society’s Art Gala is co-organized by Asia Society Museum New York and Asia Society Hong Kong Center.
"In my line of work, we often talk about the art of diplomacy as we try to make people’s lives a little better around the world. But, in fact, art is also a tool of diplomacy. It reaches beyond governments, past the conference rooms and presidential palaces, to help us connect with more people in more places. It is a universal language in our search for common ground, an expression of our shared humanity.
That’s why Art in Embassies is so important. The Museum of Modern Art first envisioned this global visual-arts program in 1953, and President John F. Kennedy formalized it at the U.S. Department of State in 1963. Working with over 20,000 participants globally, including artists, museums, collectors, and galleries, this laNewsndmark public-private partnership shares the work of more than 4,000 American and international artists annually in more than 200 U.S. Embassies and Consulates around the world. These can be exhibitions, permanent collections, site-specific commissions, or two-way artist exchanges. Many remarkable artists have been involved with Art in Embassies, and this year we were proud to award the first biennial U.S. Department of State Medal of Arts to Cai Guo-Qiang, Jeff Koons, Shahzia Sikander, Kiki Smith, and Carrie Mae Weems." - Hillary Clinton